New day pictures sony pmw-f3 hire pmw-f3k pmw-f3l camera camcorder xdcam ex hire london uk

New Day Pictures, Unit 5, Princeton Mews, 167-169 London Road, Kingston-Upon-Thames, Surrey KT2 6PT UK
NDP Broadcast Video Film Equipment Hire | Video Camera Camcorder Hire | Avid Video Editing Suite | Dubbing | DVD Authoring Duplication | Corporate Video


NEW DAY PICTURES HOME PAGE VIDEO CAMERA BROADCAST HIRE VIDEO BROADCAST HIRE CAMERA LIGHTS GRIP RENT EDIT SUITE HIRE RENTAL EDITOR FINAL CUT PRO AVID VIDEO FILM CREW HIRE CAMERAMAN OPERATOR SOUNDMAN VIDEO TAPE DUBBING COPYING DUB COPY TRANSFER CONTACT NEW DAY PICTURES NDP  

CAMERA HIRE VIDEO SONY PANASONIC CANON LENS HIRE NIKON CANON ZEISS DSLR 35MM RENT HIRE GRIP HIRE JIB CRANE TRACK STEADICAM DECK HIRE VTR SONY DVCAM DIGIBETA XDCAM DV video monitor hire sony panasonic marshall nebtek HD LIGHTING HIRE FILM VIDEO  ARRI DEDO LITEPANELS VIDEO SOUND KIT HIRE SENNHEISER SQN MICROPHONE MIXER RENT EDITING LAPTOP HIRE APPLE MAC AVID FINAL CUT PRO ACCESSORIES HIRE MATTEBOX FOLLOWFOCUS  CAVISION VOCAS CROSZIEL  


SONY PXW-FS7 Mark 2 HIRE - XDCAM CAMERA CAMCORDER HIRE LONDON UK - SONY PXWFS7 MKII HIRE - SONY CAMERA HIRE RENT

The Sony PXW-FS7 Mk2 - all our Sony PXWFS7 Mark II camera kits come with camera case, cards, batteries, mains power supply and charger, headphones, tripod and all necessary cables

FOR PRICES AND KIT OPTIONS SEE OUR
VIDEO CAMERA HIRE PAGE

sony pxw fs7 mark 2 camera hire

Electronic Variable ND Technology
The camcorder’s Electronic Variable ND Filter system, combined with its large sensor, delivers greater exposure control, with the option of preset or variable operation modes. Variable ND mode (clear + 2~7 stop range, in seamless transition steps up to 1/128) allows the user to vary the density of the ND filter during shooting and to transition seamlessly between steps. This also ensures an optimum motion delivery by maintaining desired shutter speed.

The camera’s expanded ND operations enables fine exposure adjustment by relegating iris to set depth of field, prevents soft focus caused by diffraction, and prevents colour shift caused by stacking multiple external ND filters.

The camera can compensate for exposure fluctuation caused by iris control while adjusting the depth of field. Users can adjust exposure while keeping the same bokeh in changing shooting or lighting environments.

Preset mode lets users assign three ND settings to the filter turret, useful in selecting the most appropriate filtration range for changing light conditions, for example. Auto ND mode is also available allowing exposure to stay at a fixed level while adjusting the depth of field with iris control.

E-mount (Lever Lock type) for professional shooting
The FS7 II revisited E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don't need to be removed, saving time during a production. The new E-Mount has been designed for demanding applications in the professional environment and will fit any existing E-mount lenses in the market and other mount lenses with an adapter. The new FS7II camcorder also supports Sony α Mount System, which includes more than 70 lenses.

Mechanical Design Enhancements
Like its counterparts in the FS Series family – the FS7 and FS5 models – the new FS7 II features several design and ergonomic updates for comfortable and functional use in the field. These new features are based customer feedback around the FS7.

The FS7 II “tool-less” mechanical design lets users make on-the-fly changes to the camera’s set-up and operation. For example, no tools are required to adjust the Smart Grip or viewfinder positions.

The detachable viewfinder eyepiece, which comes with a pop-up hood, provides a third stabilizing contact point when shooting handheld. Durable square section rods and lever-clamps on the LCD and camera body provide simple and precise front-to-back VF adjustment while retaining level positioning.

XQD Cards
The FS7 II supports the XQD memory card format, designed for capturing and transferring high-bandwidth, high resolution files. The newest XQD card from Sony, QD-G256E -- with an industry first 256 GB capacity -- enables recording time of approximately 45 minutes at 4K 60P and 3.5 hours at 2K 30P. Combined with a read speed of 440MB/sand write speed 400MB/s, users can shoot for longer without needing to change media cards.

Handheld. Long form. Perfection redefined.
You asked and they delivered: an all-new E-mount lever lock design. Sony’s world-leading variable ND filter technology integrated for smooth fine-tuning of depth-of-field. A host of ergonomic refinements to make FS7 II even more comfortable to shoot with. The uncompromising image quality of Sony’s high performance Super 35mm sensor for 4K and HD capture, including superior 4K/QFHD 60p/50p with support for the BT.2020 colour space, plus fantastic slow motion pictures up to 180 fps. Just think what the possibilities are…

4K Super 35 Exmor sensor
When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers "bokeh," the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens.

With the FS7 II sensor, size is just the beginning.

14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.

ISO 2000 sensitivity enables you to shoot well after sunset, without tons of lighting and grip.

4K resolution. The sensor incorporates 11.6 million total pixels and 8.8 million effective pixels to deliver full 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors cannot see.

Sony Exmor CMOS design makes for extremely fast readout, contributing to frame rates of up to 180 fps and minimized image skew.

High Frame Rates up to 180 fps
Slow down time with HFR shooting to reveal the beauty and drama of everyday motion. That’s why the FS7 II provides continuous recording at Full HD at frame rates of up to 180 fps. When you play back at 23.98p, you’ll enjoy extraordinary Super Slow Motion of up to 7.5x. Compared to burst mode, the continuous recording of the FS7 II reduces mistimed shots and extra takes. The camera also provides Slow & Quick motion from 1 fps to 180 fps, in 1 fps increments. This enables time lapse effects to make the clouds race by or flowers bloom before your eyes. And for even higher frame rates, you can attach the XDCA-FS7 extension unit and connect an outboard recorder, both sold separately, for 2K RAW recording at up to 240 fps. This creates 10x Super Slow Motion when played at 23.98p.

RAW recording, Apple ProRes 422 and multi-cam with Sony’s extension unit
To keep the PXW-FS7 II small, light and easily hand-holdable, Sony engineers reserved some functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds significant capabilities:

External RAW recording. To preserve the maximum in colour, contrast and resolution, the XDCA-FS7 enables RAW recording when connected to outboard recorders, sold separately. The XDCA-FS7 supports the vivid colour of 12-bit linear RAW at either 4K or 2K resolution. A single BNC cable connects the XDCA-FS7 to compatible RAW recorders including Sony’s HXR-IFR5/AXS-R5 combination and the Convergent Design Odyssey 7Q+ equipped with the Sony FS RAW option. In addition, the Atomos Shogun Inferno and Shogun Flame support Apple ProRes and CDNG recording from the XDCA-FS7 output. Even when you record outboard RAW, you can still record time code-synchronized Full HD on-board, a convenient proxy for offline editing.

Apple ProRes 422 recording. Sony understands that some workflows are committed to the Apple ProRes 422 codec. That’s why the XDCA-FS7 supports Apple ProRes 422 and Apple ProRes 422 HQ – 1920 x 1080 recording to an XQD card in the camera.

Multi-camera operation. The XDCA-FS7 also provides Genlock and Timecode In/Out for multi-camera shoots.

Handheld comfort takes another leap forward
The FS7 is renowned for taking handheld shooting to another level. Placed against your chest or shoulder, comfortably steadied by your right hand. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest. Now with FS7 II we’ve refined these elements to be even more flexible to you.

Sony’s remarkable smart grip
The result of thousands of hours of user research, Sony’s Smart Grip is a highly adjustable control centre located on a pivoting, telescoping arm. The smart grip includes Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So you can operate the camera without taking your hand off the grip. The shape is comfortable hour after hour. And the angle of the grip can be adjusted at the press of a button.

Superbly rugged
Sony designed the FS7 II to the same exacting standards as the FS7 for real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray.

* Requires that all ports and covers are firmly closed. Dustproof certifies to IEC 60529 IPX5 standard.

 


Sony PXW-FS7 Mark 2 hire Sony PXWFS7 Mk2 hire Sony hire rent London UK - Sony Camera Hire

*all prices exclude VAT

 

New Day Pictures, Unit 5, Princeton Mews, 167-169 London Road, Kingston-Upon-Thames, Surrey KT2 6PT UK
Broadcast Video Film Equipment Hire | Video Camera Camcorder Hire | Avid Video Editing Suite | Dubbing | DVD Authoring Duplication | Corporate Video

 

Home | Contact Us | Broadcast Video Equipment Hire | Video Camera Hire | Video Deck and Recorder Hire | Lighting Hire | Laptop Editing Package Hire | Tripod and Grip Equipment Hire | Video Monitor Hire | Sound Equipment Hire | Misc Items and Accessories | Broadcast Avid Editing Suite | Broadcast Video Film Crew Hire | Video Tape Format Conversion Copying Cloning and Dubbing | Corporate Event and Training Filming and Crews | DVD Duplication Production and Authoring | Legal Page | Site Map

Based in South-West London UK, we are close to Chelsea, Fulham. Hammersmith, Chiswick, Ealing, Shepperton, Brentford, Wandsworth, Battersea, Vauxhall, Putney, Kensington, Wimbledon, Tooting, Esher, Kingston, Richmond, Twickenham, Teddington, Hampton, Weybridge, Dorking, Guildford, Cobham, Hampshire, Herts, Middlesex, with easy access from Central London, Soho, Camden, Islington, Holborn and the City